Major Themes Of Classical Mythology - 1877 Words

Final Paper: Major Themes in Classical Mythology Throughout this course, I have learned about what a myth is and all of the themes that fit into myths. The most common themes seen throughout the myths we have studied during this course are fate, pride and hubris, heroism, justice and vengeance, and beauty. I have thoroughly enjoyed learning about mythology throughout this course and I have always felt that the controlling question driving this course is, why is mythology so important to us, even today? It is important to know the answer to this question and to know about the different themes seen throughout the myths studied in this course. Mythology serves to create an explanation for why the world is the way it is. All religions have mythology in them and myths help people understand history. Myth can mean so many different things to different people. Some myths are total fiction, while others may have a hint of truth in them. But most myths are more of a symbolic and metap horic truth, rather than a literal truth, because most of the time myths cannot be proven and people are not trying to prove that they are true. Myths become true to the people who believe in them and they use them as a sort of lens through which they see the world. They use myths to create explanations for themselves as to why the world is the way it is and they use them to help cope with the difficulties of life. Myths are a natural outgrowth of our imagination and our passions. AShow MoreRelatedClassical Influences On Modern Films And Literature1171 Words   |  5 PagesVuong Khuat Classical influences on modern films and literature Classical Greece and Rome were ancient civilizations that existed 2500 years ago, and are regarded by numerous scholars as the foundation of humanities in various fields. In popular culture, Ancient Greece and Rome are portrayed substantially in books and movies; however, not many people are aware of how they also shape our thoughts, ideals, and motivations. Through an analysis of classical elements often portrayed in popularRead MoreAncient Greece And Rome Vs. Rome1179 Words   |  5 PagesClassical Greece and Rome were ancient civilizations that existed 2500 years ago, and are regarded by numerous scholars as the foundation of humanities in various fields. In popular culture, Ancient Greece and Rome are portrayed substantially in books and movies; however, not many people are aware of how they also shape our thoughts, ideals, and motivations. Through an analysis of classical elements often portrayed in popular media, this essay attempts to illustrate how the representation of a ncientRead MoreClassical Mythology Of The Greek And Roman Societal Views2237 Words   |  9 Pagescommon theme in both modern and ancient works, and are often referenced as people who have influenced society in some way. Disney’s Hercules incorporates Classical Mythology within a number of scenes and includes a variety of typical mythological themes, yet fails to accurately characterize Hercules and reproduce his role in the Greek and Roman societal views, while neglecting major aspects surrounding his existence in the mythological world. The modern work does make use of Classical Mythology throughoutRead MoreEssay about Latin Literature in History1232 Words   |  5 Pagesaudience by way of speeches, supplemented the mans rise to political power. But as rhetoric began to diminish from Roman daily life following Romes imperialization, identical persuasive technique began to show itself in Roman literature. But Greek themes were just a backbone in Roman literature, and as time, progressed, Rome established a unique literary style, which, alongside Greek Literature, had a profound influence on the future History of Europe. One important early innovator is QuintusRead MoreTaking a Look at the Romantic Movement929 Words   |  4 Pagespolitical events provided the framework for this era, such as the major reform of the British Parliament, America declaring their independence from Great Britain, and the democratic revolution in France (Greenblatt 1412). Although politics played a large role in shaping the Romantic Era, it was also largely about â€Å"the recovery from obscurity of the medieval romances, previously ignored by literary historians more concerned with classical influences† (Greenblatt 1412). Romantics wrote stories of imaginationRead MoreBirth Of Venus By Botticelli And Child Enthroned With Saints By Duccio1680 Words   |  7 Pagesmedieval periods used art to illustrate ideas and concepts affecting their prehistoric societies. Most of the artistic works of this time and their presentation had a cultural and stylistic significance. The arts portrayed a particular ideas concepts and themes. An example of this works includes, Birth of Venus by Botticelli and Child Enthroned with Saints by Duccio. The paper seeks to compare and contrast these two works basing on the differences in artistic styles and cultural contexts used. Birth of VenusRead MoreAnalysis Of Northrop Fryes The Educated Imagination837 Words   |  4 Pages The Educated Imagination discusses major ideas that answer the question â€Å"what good is the study of literature?†. Frye does so by discussing concepts such as the desire of humans to connect to nature, the conformity to conventions and deviation from reality in literature, and the ideal manner in which literature should be taught. Northrop Frye’s The Educated Imagination proposes the idea that through the consumption of literature, the individual is able to develop an imagination which allows himRead More Latin Literature In History Essay1193 Words   |  5 Pagesaudience by way of speeches, supplemented the man’s rise to political power. But as rhetoric began to diminish from Roman daily life following Rome’s imperialization, identical persuasive technique began to show itself in Roman literature. But Greek themes were just a backbone in Roman literature, and as time, progressed, Rome established a unique literary style, which, alongside Greek Literat ure, had a profound influence on the future History of Europe. nbsp;nbsp;nbsp;nbsp;nbsp; One importantRead MoreThe Greek Mythology : A Normative Critique1754 Words   |  8 PagesTruly Mythology? The Modern Greek Mythology : A Normative Critique.   Greek mythology is the body of myths and teachings that belong to the ancient Greeks, concerning their gods and heroes, the nature of the world, and the origins and significance of their own cult and ritual practices. It was a part of the religion in ancient Greece. Modern scholars refer to and study the myths in an attempt to shed light on the religious and political institutions of Ancient Greece and its civilization, and toRead MoreMilton Paradise Lost Commentary1955 Words   |  8 Pagesan English poet, polemicist and civil servant, tell the Christian story of the creation of the Earth, the fall of Satan and the Fall of Man. As a puritan, Milton, who had already attacked the Church for its corruption in Lycidas (1637), give this classical Christian tale puritan traits (such as the protrayal of Eve as a dedicated worker). The passage under study is taken from Book 9 of Paradise lost. In this book, the narrator focuses on the disobedience of Adam and Eve. Satan returns to the Garden

Personal Narrative Why Optometry - 948 Words

Why Optometry? It’s the question that has been asked ever since I gained in interest for this profession and it is still being asked to this day. I want to become an optometrist simply because I love what this profession has to offer. My desire to pursue optometry stems from my passion to help others and putting others before myself, and becoming an optometrist would allow me to continue to do so while improving the quality of life. After working at an optometry office, volunteering at a clinic, and shadowing multiple doctors, I can’t see myself doing anything else than being an optometrist. I first developed an interest towards optometry due to its intimate interaction between doctor and patient. As a child, there was nothing more I disliked than going to the doctor’s office especially if I thought my eyes were going to get poked and prodded at. But after my first visit to an optometrist, I didn’t mind the doctor getting close to my eyes. The doctor was not only friendly but was reassuring and explained things in a way that I can easily understand. What I thought would be a horrifying examination was made pleasant and tolerable. Although the exam was no longer than half an hour, the experience I had in the exam room sparked my initial interest in pursuing optometry as a professional career. My enthusiasm for optometry further developed as I volunteered at a local optometry office and shadowed under Dr. Michael Tran. Before this, I thought examinations were as simple as

Women s Christian Temperance Movement Essay - 1385 Words

The recently formed Women s Christian Temperance Movement (WCTU) took up the campaign for the vote in 1885. The movement was strongly linked to church and had the motto ‘For God, Home and Humanity.’ The WCTU had previously been involved in a temperance movement and this was one of the main reasons they decided to campaign for the vote. According to Wood â€Å"social climate had the greatest effect on mobilising women into a combined effort to rid themselves of laws that discriminated against them. Drunkenness and crime were two major reasons why women made the move to throw off the shackles that prevented their recognition as equals with men. The vote became imperative if the lot of women and children were to improve. † The women s vote did have many purposes, but improving the low moral level of society at that time was easily the most important. Many believed that female franchise would lead to the purification of New Zealand society and the Christianisation o f politics. It was believed that women had a stronger, nobler vision for a pure society which would lead to higher levels of sobriety and morality in New Zealand. The suffragists promoted the vote as a way that women could have social control over undesirable elements in the population. In the late nineteenth century women were beginning to find a place in the more public spheres of life. Larger numbers of women than ever were in paid employment; by 1874 twenty percent of females over fifteen were employed. ManyShow MoreRelatedThe Events Of Temperance Movement1332 Words   |  6 Pages Part 1: The Event; Temperance Movement â€Å"Second Great Awakening was not focused simply on promotion individual conversions; it was also intended to reform human society, which was said by Lyman Beecher a champion of evangelic Christian revivalism† (Tindall and Shi 508). The United States, which was known for a nation of separation and church and state was swept with religious revivals during 1790 to 1830s known as the Second Great Awakening. From the Second Great Awakening in 1842, the UnitedRead MoreThe Temperance Movement Essay1374 Words   |  6 PagesTemperance Movement What was the purpose of the Temperance Movement and Prohibition on alcohol? The Temperance Movement was an anti-alcohol movement. The Temperance Movement took place back in the early 20th century. The Christian abolitionists who fought slavery also prayed to the same God to end the scourge of alcohol. The purpose of the Temperance Movement was to try to abolish alcohol in the early 1900’s. â€Å"’We Sang Rock of Ages‘: Frances Willard Battles Alcohol in the late 19th Century† (Willard)Read MoreThe Way That Women Earned Respect And Value Was First Through The Great Awakening875 Words   |  4 PagesThe way that women earned respect and value was first through the great awakening. Which emphasized faith and created later reforms such as the temperance, education, women rights, and abolition. All of these reforms put an emphasis on improving the moral compass of the nation. all of the issues were integrated with religion, since it was a religious movement. in the later 1820’s reforms created the Temperance movement, which was a reform against alcohol. Puritans believed that alcohol was completelyRead MoreHistory, Social Factors and Economic Impac of the Prohibition of Alcohol in the United States1490 Words   |  6 PagesStates in the early 1900’s. Cocaine was used as an anesthesia and medication in the early days of America until the drug was abused, and the legislature of the day deemed cocaine a dangerous drug. Americans would lose interest in cocaine until the 1960’s and then the drug would become even more popular in the 1980’s (Spillane, 1998). Today cocaine is one of the most prominent substances in the war on drugs. Alcohol today is a staple in American culture. In the 1800’s Americans would find anyRead MoreEssay on To what Extent the Progressive Movement was Successful1283 Words   |  6 Pagesbecame aware of these problems, a new reform group was created. Unlike populism, which had been a group of farmers grown desperate as the economy submerged into depression, the new reform movement arose from the educated middle class. These people were known as the progressives. The Progressive Movement was a movement that aimed at solving political, economic, and social problems. The Progressives were people from the middle class who had confidence that they could achieve social progress through politicalRead MoreA Sociological And Humanistic Perspective1714 Words   |  7 Pagesamendment is the result of over two centuries of an anti alcohol sentiment in society known as the temperance movement. This movement consisted of men and women but was primarily represented by women who were victims of domestic abuse by a partner who was an alcoholic. The aim of this movement was to limit or ban the sale, transport, distribution, and consumption of alcohol. The temperance movement is divided up into three waves, the first of which began in 1784 and went on until 1861(CITE). DuringRead MoreThe Antebellum Era: Major Social Reform Movements Essay1104 Words   |  5 Pagessocial reform movements based on the urge to eradicate evil and improve human conditions in society. Despite the attempt to deal with a wide variety of reforms to provide positive changes to society these reform movements were met with varying degrees of success. This essay will focus on five of the major social reform movements of that era discussing their accomplishments, failures and impacts on America as a whole. They are the reforms of abolition, women’s suffrage, temperance, institutionalRead MoreThe Women s Suffrage Movement889 Words   |  4 Pagescampaign for women’s suffrage during Wilson s administration. 2. NAWSA: National American Woman Suffrage Association. Founded by Elizabeth Cady Stanton and Susan B. Anthony to secure the vote for women. 3. True Womanhood: (1820s-1840s) Idea that the ideal woman should possess the traits of piety, purity, domesticity submissiveness. 4. President Woodrow Wilson: Was against the women’s suffrage movement. 5. Jeannette Rankin (Montana): In 1916, before women could legally vote, she became the firstRead MoreThe Importance Of Frances Willard : The Gilded Age1751 Words   |  8 Pagesin New York in 1839. Francis Willard held several important positions, exceeding as an educator, a women’s suffragist, and a co-founder of the Woman’s Christian Temperance Union (Britannica). The fact that Frances Willard held these positions indicates that she contributed towards the improvement of the United States, specifically by educating Women, fighting for women’s rights, and fighting for prohibition. These key roles were complementary to the issues associated with the United States at theRead MoreEssay The Prohibition of the 1920s702 Words   |  3 Pagesthe 1920’s there was an experiment in the U.S. â€Å"The Prohibition†, this experiment, made by the government, was written as the 18th amendment. The prohibition led to the bootlegging, increase in crimes, and gan g wars. The experiment consisted in all importing, exporting, transporting, and selling liquor was put to an end. Prohibition had been tried from a lot of time as temperance movements, the movements that tried to stop the alcohol consumption started in the latest 1700’s. The first

Article Review When Sex Goes School - 1457 Words

David Miller Pacific University August 12, 2015 Book Review: When Sex Goes to School In a busy and complicated landscape of sexuality and gender, it is generally recognized that children need instruction in how to behave. Unfortunately, the way that adults wish young people to be introduced to sexuality is governed by diverse worldviews and values, and the subject is seen as so important that this disparity leaves little room for neutrality, much less reasoned compromise. In many cases, the education of children in sexuality is regarded on all sides as a life-and-death issue, involving fundamental assumptions about the role of public and private institutions and even the very stability of society, to say nothing of the potential risks to individuals. As When Sex Goes to School puts it, there is very little within the domain of American politics and the infamous â€Å"culture wars† that is not touched by or based in the realm of sexuality and gender, and sex education is an arena where each side seeks to have its values publicly established for the benefit of students. Author Kristin Luker identifies two broadly defined (and diametrically opposed) camps in modern America, which she refers to as sexual liberals and sexual conservatives. Both camps are represented by strong views about sexuality in general and children s sexuality in particular. Their beliefs are rooted in American history: the conservatives draw ideological points both from interpretations of ancientShow MoreRelatedArticle Review : When Sex Goes School1458 Words   |  6 PagesTopic: David Miller Pacific University August 12, 2015 Book Review: When Sex Goes to School In a busy and complicated landscape of sexuality and gender, it is generally recognized that children need instruction in how to behave. Unfortunately, the way that adults wish young people to be introduced to sexuality is governed by diverse worldviews and values, and the subject is seen as so important that this disparity leaves little room for neutrality, much less reasoned compromise. In many casesRead MoreCyberbullying Behaviors, By Nadine M. Connell1787 Words   |  4 PagesArticle Review In the article, â€Å"Badgrlz? Exploring Sex Differences in Cyberbullying Behaviors,† written by Nadine M. Connell1, Natalie M. Schell-Busey, Allison N. 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Andrew Sullivan discusses the fact that younger people during our time period find homosexuality more acceptableRead MoreWhy Are Statutory Rape Laws in NC More Favorable for the Girl Rather Than the Guy?1426 Words   |  6 Pageshumbler terms it is when a male adult 18 years or older has sexual intercourse with a female who is 17 years old or younger without consent. The issue that I have seen arise a great deal of the time is that the laws in most states are sexually biased when it comes to an adult male and an underage female. In this essay I want to specifically focus on the State of North Carolina, being that I live in this state. There is more than one type of rape believe it or not. According to (Article 7A NCGA) ThereRead MoreTeen Pregnancy Rates Have Reached An All Time High1565 Words   |  7 Pagesconsequence, high schools around the country have taken a decision to step up and take an action in decreasing the rate of teen pregnancy. 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Bag of Bones CHAPTER TWENTY-ONE Free Essays

string(23) " Bricker place to Mrs\." I was walking north along The Street. Japanese lanterns lined it, but they were all dark because it was daylight bright daylight. The muggy, smutchy look of mid-July was gone; the sky was that deep sapphire shade which is the sole property of October. We will write a custom essay sample on Bag of Bones CHAPTER TWENTY-ONE or any similar topic only for you Order Now The lake was deepest indigo beneath it, sparkling with sunpoints. The trees were just past the peak of their autumn colors, burning like torches. A wind out of the south blew the fallen leaves past me and between my legs in rattly, fragrant gusts. The Japanese lanterns nodded as if in approval of the season. Up ahead, faintly, I could hear music. Sara and the Red-Tops. Sara was belting it out, laughing her way through the lyric as she always had . . . only, how could laughter sound so much like a snarl? ‘White boy, I’d never kill a child of mine. That you’d even think it!’ I whirled, expecting to see her right behind me, but there was no one there. Well . . . The Green Lady was there, only she had changed her dress of leaves for autumn and become the Yellow Lady. The bare pine-branch behind her still pointed the way: go north, young man, go north. Not much farther down the path was another birch, the one I’d held onto when that terrible drowning sensation had come over me again. I waited for it to come again now for my mouth and throat to fill up with the iron taste of the lake but it didn’t happen. I looked back at the Yellow Lady, then beyond her to Sara Laughs. The house was there, but much reduced: no north wing, no south wing, no second story. No sign of Jo’s studio off to the side, either. None of those things had been built yet. The ladybirch had travelled back with me from 1998; so had the one hanging over the lake. Otherwise ‘Where am I?’ I asked the Yellow Lady and the nodding Japanese lanterns. Then a better question occurred to me. ‘When am I?’ No answer. ‘It’s a dream, isn’t it? I’m in bed and dreaming.’ Somewhere out in the brilliant, gold-sparkling net of the lake, a loon called. Twice. Hoot once for yes, twice for no, I thought. Not a dream, Michael. I don’t know exactly what it is spiritual time-travel, maybe but it’s not a dream. ‘Is this really happening?’ I asked the day, and from somewhere back in the trees, where a track which would eventually come to be known as Lane Forty-two ran toward a dirt road which would eventually come to be known as Route 68, a crow cawed. Just once. I went to the birch hanging over the lake, slipped an arm around it (doing it lit a trace memory of slipping my hands around Mattie’s waist, feeling her dress slide over her skin), and peered into the water, half-wanting to see the drowned boy, half-fearing to see him. There was no boy there, but something lay on the bottom where he had been, among the rocks and roots and waterweed. I squinted and just then the wind died a little, stilling the glints on the water. It was a cane, one with a gold head. A Boston Post cane. Wrapped around it in a rising spiral, their ends waving lazily, were what appeared to be a pair of ribbons white ones with bright red edges. Seeing Royce’s cane wrapped that way made me think of high-school graduations, and the baton the class marshal waves as he or she leads the gowned seniors to their seats. Now I understood why the old crock hadn’t answered the phone. Royce Merrill’s phone-answering days were all done. I knew that; I al so knew I had come to a time before Royce had even been born. Sara Tidwell was here, I could hear her singing, and when Royce had been born in 1903, Sara had already been gone for two years, she and her whole Red-Top family. ‘Go down, Moses,’ I told the ribbon-wrapped cane in the water. ‘You bound for the Promised Land.’ I walked on toward the sound of the music, invigorated by the cool air and rushing wind. Now I could hear voices as well, lots of them, talking and shouting and laughing. Rising above them and pumping like a piston was the hoarse cry of a sideshow barker: ‘Come on in, folks, hurr-ay, hurr-ay, hurr-ay! It’s all on the inside but you’ve got to hurr-ay, next show starts in ten minutes! See Angelina the Snake-Woman, she shimmies, she shakes, she’ll bewitch your eye and steal your heart, but don’t get too close for her bite is poy-son! See Hando the Dog-Faced Boy, terror of the South Seas! See the Human Skeleton! See the Human Gila Monster, relic of a time God forgot! See the Bearded Lady and all the Killer Martians! It’s on the inside, yessirree, so hurr-ay, hurr-ay, hurr-ay!’ I could hear the steam-driven calliope of a merry-go-round and the bang of the bell at the top of the post as some lumberjack won a stuffed toy for his sweetie. You could tell from the delighted feminine screams that he’d hit it almost hard enough to pop it off the post. There was the snap of. 22s from the shooting gallery, the snoring moo of someone’s prize cow . . . and now I began to smell the aromas I have associated with county fairs since I was a boy: sweet fried dough, grilled onions and peppers, cotton candy, manure, hay. I began to walk faster as the strum of guitars and thud of double basses grew louder. My heart kicked into a higher gear. I was going to see them perform, actually see Sara Laughs and the Red-Tops live and on stage. This was no crazy three-part fever-dream, either. This was happening right now, so hurr-ay, hurr-ay, hurr-ay. The Washburn place (the one that would always be the Bricker place to Mrs. You read "Bag of Bones CHAPTER TWENTY-ONE" in category "Essay examples" M.) was gone. Beyond where it would eventually be, rising up the steep slope on the eastern side of The Street, was a flight of broad wooden stairs. They reminded me of the ones which lead down from the amusement park to the beach at Old Orchard. Here the Japanese lanterns were lit in spite of the brightness of the day, and the music was louder than ever. Sara was singing ‘Jimmy Crack Corn.’ I climbed the stairs toward the laughter and shouts, the sounds of the Red-Tops and the calliope, the smells of fried food and farm animals. Above the stairhead was a wooden arch with WELCOME TO FRYEBURG FAIR WELCOME TO THE 20TH CENTURY printed on it. As I watched, a little boy in short pants and a woman wearing a shirtwaist and an ankle-length linen skirt walked under the arch and toward me. They shimmered, grew gauzy. For a moment I could see their skeletons and the bone grins which lurked beneath their laughing faces. A moment later and they were gone. Two farmers one wearing a straw hat, the other gesturing expansively with a corncob pipe appeared on the Fair side of the arch in exactly the same fashion. In this way I understood that there was a barrier between The Street and the Fair. Yet I did not think it was a barrier which would affect me. I was an exception. ‘Is that right?’ I asked. ‘Can I go in?’ The bell at the top of the Test Your Strength pole banged loud and clear. Bong once for yes, twice for no. I continued on up the stairs. Now I could see the Ferris wheel turning against the brilliant sky, the wheel that had been in the background of the band photo in Osteen’s Dark Score Days. The framework was metal, but the brightly painted gondolas were made of wood. Leading up to it like an aisle leading up to an altar was a broad, sawdust-strewn midway. The sawdust was there for a purpose; almost every man I saw was chewing tobacco. I paused for a few seconds at the top of the stairs, still on the lake side of the arch. I was afraid of what might happen to me if I passed under. Afraid of dying or disappearing, yes, but mostly of never being able to return the way I had come, of being condemned to spend eternity as a visitor to the turn-of-the-century Fryeburg Fair. That was also like a Ray Bradbury story, now that I thought of it. In the end what drew me into that other world was Sara Tidwell. I had to see her with my own eyes. I had to watch her sing. Had to. I felt a tingling as I stepped beneath the arch, and there was a sighing in my ears, as of a million voices, very far away. Sighing in relief? Dismay? I couldn’t tell. All I knew for sure was that being on the other side was different the difference between looking at a thing through a window and actually being there; the difference between observing and participating. Colors jumped out like ambushers at the moment of attack. The smells which had been sweet and evocative and nostalgic on the lake side of the arch were now rough and sexy, prose instead of poetry. I could smell dense sausages and frying beef and the vast shadowy aroma of boiling chocolate. Two kids walked past me sharing a paper cone of cotton candy. Both of them were clutching knotted hankies with their little bits of change in them. ‘Hey kids!’ a barker in a dark blue shirt called to them. He was wearing sleeve-garters and his smile revealed one splendid gold tooth. ‘Knock over the milk-bottles and win a prize! I en’t had a loser all day!’ Up ahead, the Red-Tops swung into ‘Fishin Blues.’ I’d thought the kid on the common in Castle Rock was pretty good, but this version made the kid’s sound old and slow and clueless. It wasn’t cute, like an antique picture of ladies with their skirts held up to their knees, dancing a decorous version of the black bottom with the edges of their bloomers showing. It wasn’t something Alan Lomax had collected with his other folk songs, just one more dusty American butterfly in a glass case full of them; this was smut with just enough shine on it to keep the whole struttin bunch of them out of jail. Sara Tidwell was singing about the dirty boogie, and I guessed that every overalled, straw-hatted, plug-chewing, callus-handed, clod-hopper-wearing farmer standing in front of the stage was dreaming about doing it with her, getting right down to where the sweat forms in the crease and the heat gets hot and the pink comes glimmering through. I started walking in that direction, aware of cows mooing and sheep blatting from the exhibition barns the Fair’s version of my childhood Hi-Ho Dairy-O. I walked past the shooting gallery and the ringtoss and the penny-pitch; I walked past a stage where The Handmaidens of Angelina were weaving in a slow, snakelike dance with their hands pressed together as a guy with a turban on his head and shoepolish on his face tooted a flute. The picture painted on stretched canvas suggested that Angelina on view inside for just one tenth of a dollar, neighbor would make these two look like old boots. I walked past the entrance to Freak Alley, the corn-roasting pit, the Ghost House, where more stretched canvas depicted spooks coming out of broken windows and crumbling chimneys. Everything in there is death, I thought . . . but from inside I could hear children who were very much alive laughing and squealing as they bumped into things in the dark. The older among them were likely stealin g kisses. I passed the Test Your Strength pole, where the gradations leading to the brass bell at the top were marked BABY NEEDS HIS BOTTLE, SISSY, TRY AGAIN, BIG BOY, HE-MAN, and, just below the bell itself, in red: HERCULES! Standing at the center of a little crowd a young man with red hair was removing his shirt, revealing a heavily muscled upper torso. A cigar-smoking carny held a hammer out to him. I passed the quilting booth, a tent where people were sitting on benches and playing Bingo, the baseball pitch. I passed them all and hardly noticed. I was in the zone, tranced out. ‘You’ll have to call him back,’ Jo had sometimes told Harold when he phoned, ‘Michael is currently in the Land of Big Make-Believe.’ Only now nothing felt like pretend and the only thing that interested me was the stage at the base of the Ferris wheel. There were eight black folks up there on it, maybe ten. Standing at the front, wearing a guitar and whaling on it as she s ang, was Sara Tidwell. She was alive. She was in her prime. She threw back her head and laughed at the October sky. What brought me out of this daze was a cry from behind me: ‘Wait up, Mike! Wait up!’ I turned and saw Kyra running toward me, dodging around the strollers and gamesters and midway gawkers with her pudgy knees pumping. She was wearing a little white sailor dress with red piping and a straw hat with a navy-blue ribbon on it. In one hand she clutched Strickland, and when she got to me she threw herself confidently forward, knowing I would catch her and swing her up. I did, and when her hat started to fall offi caught it and jammed it back on her head. ‘I taggled my own quartermack,’ she said, and laughed. ‘Again.’ ‘That’s right,’ I said. ‘You’re a regular Mean Joe Green.’ I was wearing overalls (the tail of a wash-faded blue bandanna stuck out of the bib pocket) and manure-stained workboots. I looked at Kyra’s white socks and saw they were homemade. I would find no discreet little label reading Made in Mexico or Made in China if I took off her straw hat and looked inside, either. This hat had been most likely Made in Motton, by some farmer’s wife with red hands and achy joints. ‘Ki, where’s Mattie?’ ‘Home, I guess. She couldn’t come.’ ‘How did you get here?’ ‘Up the stairs. It was a lot of stairs. You should have waited for me. You could have carrot me, like before. I want to hear the music.’ ‘Me too. Do you know who that is, Kyra?’ ‘Yes,’ she said, ‘Kito’s mom. Hurry up, slowpoke!’ I walked toward the stage, thinking we’d have to stand at the back of the crowd, but they parted for us as we came forward, me carrying Kyra in my arms the lovely sweet weight of her, a little Gibson Girl in her sailor dress and ribbon-accented straw hat. Her arm was curled around my neck and they parted for us like the Red Sea had parted for Moses. They didn’t turn to look at us, either. They were clapping and stomping and bellowing along with the music, totally involved. They stepped aside unconsciously, as if some kind of magnetism were at work here ours positive, theirs negative. The few women in the crowd were blushing but clearly enjoying themselves, one of them laughing so hard tears were streaming down her face. She looked no more than twenty-two or -three. Kyra pointed to her and said matter-of-factly: ‘You know Mattie’s boss at the liberry? That’s her nana.’ Lindy Briggs’s grandmother, and fresh as a daisy, I thought. Good Christ. The Red-Tops were spread across the stage and under swags of red, white, and blue bunting like some time-travelling rock band. I recognized all of them from the picture in Edward Osteen’s book. The men wore white shirts, arm-garters, dark vests, dark pants. Son Tidwell, at the far end of the stage, was wearing the derby he’d had on in the photo. Sara, though . . . ‘Why is the lady wearing Mattie’s dress?’ Kyra asked me, and she began to tremble. ‘I don’t know, honey. I can’t say.’ Nor could I argue it was the white sleeveless dress Mattie had been wearing on the common, all right. On stage, the band was smoking through an instrumental break. Reginald ‘Son’ Tidwell strolled over to Sara, feet ambling, hands a brown blur on the strings and frets of his guitar, and she turned to face him. They put their foreheads together, she laughing and he solemn; they looked into each other’s eyes and tried to play each other down, the crowd cheering and clapping, the rest of the Red-Tops laughing as they played. Seeing them together like that, I realized that I had been right: they were brother and sister. The resemblance was too strong to be missed or mistaken. But mostly what I looked at was the way her hips and butt switched in that white dress. Kyra and I might be dressed in turn-of-the-century country clothes, but Sara was thoroughly modern Millie. No bloomers for her, no petticoats, no cotton stockings. No one seemed to notice that she was wearing a dress that stopped above her knees that she was all but naked by the standards of this time. And und er Mattie’s dress she’d be wearing garments the like of which these people had never seen: a Lycra bra and hip-hugger nylon panties. If I put my hands on her waist, the dress would slip not against an unwet-coming corset but against soft bare skin. Brown skin, not white. What do you want, sugar? Sara backed away from Son, shaking her ungirdled, unbustled fanny and laughing. He strolled back to his spot and she turned to the crowd as the band played the turnaround. She sang the next verse looking directly at me. ‘Before you start in fishin you better check your line. Said before you start in fishin, honey, you better check on your line. I’ll pull on yours, darling, and you best tug on mine.’ The crowd roared happily. In my arms, Kyra was shaking harder than ever. ‘I’m scared, Mike,’ she said. ‘I don’t like that lady. She’s a scary lady. She stole Mattie’s dress. I want to go home.’ It was as if Sara heard her, even over the rip and ram of the music. Her head cocked back on her neck, her lips peeled open, and she laughed at the sky. Her teeth were big and yellow. They looked like the teeth of a hungry animal, and I decided I agreed with Kyra: she was a scary lady. ‘Okay, hon,’ I murmured in Ki’s ear. ‘We’re out of here.’ But before I could move, the sense of the woman I don’t know how else to say it fell upon me and held me. Now I understood what had shot past me in the kitchen to knock away the CARLADEAN letters; the chill was the same. It was almost like identifying a person by the sound of their walk. She led the band to the turnaround once more, then into another verse. Not one you’d find in any written version of the song, though: ‘I ain’t gonna hurt her, honey, not for all the treasure in the world’. Said I wouldn’t hurt your baby, not for diamonds or for pearls Only one black-hearted bastard dare to touch that little girl.’ The crowd roared as if it were the funniest thing they’d ever heard, but Kyra began to cry. Sara saw this and stuck out her breasts much bigger breasts than Mattie’s and shook them at her, laughing her trademark laugh as she did. There was a parodic coldness about this gesture . . . and an emptiness, too. A sadness. Yet I could feel no compassion for her. It was as if the heart had been burned out of her and the sadness which remained was just another ghost, the memory of love haunting the bones of hate. And how her laughing teeth leered. Sara raised her arms over her head and this time shook it all the way down, as if reading my thoughts and mocking them. Just like jelly on a plate, as some other old song of the time has it. Her shadow wavered on the canvas backdrop, which was a painting of Fryeburg, and as I looked at it I realized I had found the Shape from my Manderley dreams. It was Sara. Sara was the Shape and always had been. No, Mike. That’s close, but it’s not right. Right or wrong, I’d had enough. I turned, putting my hand on the back of Ki’s head and urging her face down against my chest. Both her arms were around my neck now, clutching with panicky tightness. I thought I’d have to bull my way back through the crowd they had let me in easily enough, but they might be a lot less amenable to letting me back out. Don’t fuck with me, boys, I thought. You don’t want to do that. And they didn’t. On stage Son Tidwell had taken the band from E to G, someone began to bang a tambourine, and Sara went from ‘Fishin Blues’ to ‘Dog My Cats’ without a single pause. Out here, in front of the stage and below it, the crowd once more drew back from me and my little girl without looking at us or missing a beat as they clapped their work-swollen hands together. One young man with a port-wine stain swimming across the side of his face opened his mouth at twenty he was already missing half his teeth and hollered ‘Yee-HAW!’ around a melting glob of tobacco. It was Buddy Jellison from the Village Cafe, I realized . . . Buddy Jellison magically rolled back in age from sixty-eight to eighteen. Then I realized the hair was the wrong shade light brown instead of black (although he was pushing seventy and looking it in every other way, Bud hadn’t a single white hair in his head). This was Buddy’s grandfather, maybe even his great-grandfather. I didn’t give a shit either way. I only wanted to get out of here. ‘Excuse me,’ I said, brushing by him. ‘There’s no town drunk here, you meddling son of a bitch,’ he said, never looking at me and never missing a beat as he clapped. ‘We all just take turns.’ It’s a dream after all, I thought. It’s a dream and that proves it. But the smell of tobacco on his breath wasn’t a dream, the smell of the crowd wasn’t a dream, and the weight of the frightened child in my arms wasn’t a dream, either. My shirt was hot and wet where her face was pressed. She was crying. ‘Hey, Irish!’ Sara called from the stage, and her voice was so like Jo’s that I could have screamed. She wanted me to turn back I could feel her will working on the sides of my face like fingers but I wouldn’t do it. I dodged around three farmers who were passing a ceramic bottle from hand to hand and then I was free of the crowd. The midway lay ahead, wide as Fifth Avenue, and at the end of it was the arch, the steps, The Street, the lake. Home. If I could get to The Street we’d be safe. I was sure of it. ‘Almost done, Irish!’ Sara shrieked after me. She sounded angry, but not too angry to laugh. ‘You gonna get what you want, sugar, all the comfort you need, but you want to let me finish my bi’ness. Do you hear me, boy? Just stand clear! Mind me, now!’ I began to hurry back the way I had come, stroking Ki’s head, still holding her face against my shirt. Her straw hat fell off and when I grabbed for it, I got nothing but the ribbon, which pulled free of the brim. No matter. We had to get out of here. On our left was the baseball pitch and some little boy shouting ‘Willy hit it over the fence, Ma! Willy hit it over the fence!’ with monotonous, brain-croggling regularity. We passed the Bingo, where some woman howled that she had won the turkey, by glory, every number was covered with a button and she had won the turkey. Overhead, the sun dove behind a cloud and the day went dull. Our shadows disappeared. The arch at the end of the midway drew closer with maddening slowness. ‘Are we home yet?’ Ki almost moaned. ‘I want to go home, Mike, please take me home to my mommy.’ ‘I will,’ I said. ‘Everything’s going to be all right.’ We were passing the Test Your Strength pole, where the young man with the red hair was putting his shirt back on. He looked at me with stolid dislike the instinctive mistrust of a native for an interloper, per-haps and I realized I knew him, too. He’d have a grandson named Dickie who would, toward the end of the century to which this fair had been dedicated, own the All-Purpose Garage on Route 68. A woman coming out of the quilting booth stopped and pointed at me. At the same moment her upper lip lifted in a dog’s snarl. I knew that face, too. From where? Somewhere around town. It didn’t matter, and I didn’t want to know even if it did. ‘We never should have come here,’ Ki moaned. ‘I know how you feel,’ I said. ‘But I don’t think we had any choice, hon. We ‘ They came out of Freak Alley, perhaps twenty yards ahead. I saw them and stopped. There were seven in all, long-striding men dressed in cutters’ clothes, but four didn’t matter those four looked faded and white and ghostly. They were sick fellows, maybe dead fellows, and no more dangerous than daguerreotypes. The other three, though, were real. As real as the rest of this place, anyway. The leader was an old man wearing a faded blue Union Army cap. He looked at me with eyes I knew. Eyes I had seen measuring me over the top of an oxygen mask. ‘Mike? Why we stoppin?’ ‘It’s all right, Ki. Just keep your head down. This is all a dream. You’ll wake up tomorrow morning in your own bed.’ †Kay.’ The jacks spread across the midway hand to hand and boot to boot, blocking our way back to the arch and The Street. Old Blue-Cap was in the middle. The ones on either side of him were much younger, some by maybe as much as half a century. Two of the pale ones, the almost-not-there ones, were standing side-by-side to the old man’s right, and I wondered if I could burst through that part of their line. I thought they were no more flesh than the thing which had thumped the insulation of the cellar wall . . . but what if I was wrong? ‘Give her over, son,’ the old man said. His voice was reedy and implacable. He held out his hands. It was Max Devore, he had come back, even in death he was seeking custody. Yet it wasn’t him. I knew it wasn’t. The planes of this man’s face were subtly different, the cheeks gaunter, the eyes a brighter blue. ‘Where am I?’ I called to him, accenting the last word heavily, and in front of Angelina’s booth, the man in the turban (a Hindu who perhaps hailed from Sandusky, Ohio) put down his flute and simply watched. The snake-girls stopped dancing and watched, too, slipping their arms around each other and drawing together for comfort. ‘Where am I, Devore? If our great-grandfathers shit in the same pit, then where am I?’ ‘Ain’t here to answer your questions. Give her over.’ ‘I’ll take her, Jared,’ one of the younger men-one of those who were really there said. He looked at Devore with a kind of fawning eagerness that sickened me, mostly because I knew who he was: Bill Dean’s father. A man who had grown up to be one of the most respected elders in Castle County was all but licking Devore’s boots. Don’t think too badly of him, Jo whispered. Don’t think too badly of any of them. They were very young. ‘You don’t need to do nothing,’ Devore said. His reedy voice was irritated; Fred Dean looked abashed. ‘He’s going to hand her over on his own. And if he don’t, we’ll take her together.’ I looked at the man on the far left, the third of those that seemed totally real, totally there. Was this me? It didn’t look like me. There was something in the face that seemed familiar but ‘Hand her over, Irish,’ Devore said. ‘Last chance.’ ‘No.’ Devore nodded as if this was exactly what he had expected. ‘Then we’ll take her. This has got to end. Come on, boys.’ They started toward me and as they did I realized who the one on the end the one in the caulked treewalker boots and flannel loggers’ pants reminded me of: Kenny Auster, whose wolfhound would eat cake ’til it busted. Kenny Auster, whose baby brother had been drowned under the pump by Kenny’s father. I looked behind me. The Red-Tops were still playing, Sara was still laughing, shaking her hips with her hands in the sky, and the crowd was still plugging the east end of the midway. That way was no good, anyway. if I went that way, I’d end up raising a little girl in the early years of the twentieth century, trying to make a living by writing penny dreadfuls and dime novels. That might not be so bad . . . but there was a lonely young woman miles and years from here who would miss her. Who might even miss us both. I turned back and saw the jackboys were almost on me. Some of them more here than others, more vital, but all of them dead. All of them damned. I looked at the towhead whose descendants would include Kenny Auster and asked him, ‘What did you do? What in Christ’s name did you men do?’ He held out his hands. ‘Give her over, Irish. That’s all you have to do. You and the woman can have more. All the more you want. She’s young, she’ll pop em out like watermelon seeds.’ I was hypnotized, and they would have taken us if not for Kyra. ‘What’s happening?’ she screamed against my shirt. ‘Something smells! Something smells so bad! Oh Mike, make it stop!’ And I realized I could smell it, too. Spoiled meat and swampgas. Burst tissue and simmering guts. Devore was the most alive of all of them, generating the same crude but powerful magnetism I had felt around his great-grandson, but he was as dead as the rest of them, too: as he neared I could see the tiny bugs which were feeding in his nostrils and the pink corners of his eyes. Everything down here is death, I thought. Didn’t my own wife tell me so? They reached out their tenebrous hands, first to touch Ki and then to take her. I backed up a step, looked to my right, and saw more ghosts some coming out of busted windows, some slipping from redbrick chimneys. Holding Kyra in my arms, I ran for the Ghost House. ‘Get him!’ Jared Devore yelled, startled. ‘Get him, boys! Get that punk! Goddamnit!’ I sprinted up the wooden steps, vaguely aware of something soft rubbing against my cheek Ki’s little stuffed dog, still clutched in one of her hands. I wanted to look back and see how close they were getting, but I didn’t dare. If I stumbled ‘Hey!’ the woman in the ticket booth cawed. She had clouds of gingery hair, makeup that appeared to have been applied with a garden-trowel, and mercifully resembled no one I knew. She was just a carny, just passing through this benighted place. Lucky her. ‘Hey, mister, you gotta buy a ticket!’ No time, lady, no time. ‘Stop him!’ Devore shouted. ‘He’s a goddam punk thief! That ain’t his young ‘un he’s got! Stop him!’ But no one did and I rushed into the darkness of the Ghost House with Ki in my arms. Beyond the entry was a passage so narrow I had to turn sideways to get down it. Phosphorescent eyes glared at us in the gloom. Up ahead was a growing wooden rumble, a loose sound with a clacking chain beneath it. Behind us came the clumsy thunder of caulk-equipped loggers’ boots rushing up the stairs outside. The ginger-haired carny was hollering at them now, she was telling them that if they broke anything inside they’d have to give up the goods. ‘You mind me, you damned rubes!’ she shouted. ‘That place is for kids, not the likes of you!’ The rumble was directly ahead of us. Something was turning. At first I couldn’t make out what it was. ‘Put me down, Mike!’ Kyra sounded excited. ‘I want to go through by myself!’ I set her on her feet, then looked nervously back over my shoulder. The bright light at the entryway was blocked out as they tried to cram in. ‘You asses!’ Devore yelled. ‘Not all at the same time! Sweet weeping Jesus!’ There was a smack and someone cried out. I faced front just in time to see Kyra dart through the rolling barrel, holding her hands out for balance. Incredibly, she was laughing. I followed, got halfway across, then went down with a thump. ‘Ooops!’ Kyra called from the far side, then giggled as I tried to get up, fell again, and was tumbled all the way over. The bandanna fell out of my bib pocket. A bag of horehound candy dropped from another pocket. I tried to look back, to see if they had got themselves sorted out and were coming. When I did, the barrel hurled me through another inadvertent somersault. Now I knew how clothes felt in a dryer. I crawled to the end of the barrel, got up, took Ki’s hand, and let her lead us deeper into the Ghost House. We got perhaps ten paces before white bloomed around her like a lily and she screamed. Some animal something that sounded like a huge cat hissed heavily. Adrenaline dumped into my bloodstream and I was about to jerk her backward into my arms again when the hiss came once more. I felt hot air on my ankles, and Ki’s dress made that bell-shape around her legs again. This time she laughed instead of screaming. ‘Go, Ki!’ I whispered. ‘Fast.’ We went on, leaving the steam-vent behind. There was a mirrored corridor where we were reflected first as squat dwarves and then as scrawny ectomorphs with long white vampire features. I had to urge Kyra on again; she wanted to make faces at herself. Behind us, I heard cursing lumberjacks trying to negotiate the barrel. I could hear Devore cursing, too, but he no longer seemed so . . . well, so eminent. There was a sliding-pole that landed us on a big canvas pillow. This made a loud farting noise when we hit it, and Ki laughed until fresh tears spilled down her cheeks, rolling around and kicking her feet in glee. I got my hands under her arms and yanked her up. ‘Don’t taggle yer own quartermack,’ she said, then laughed again. Her fear seemed to have entirely departed. We went down another narrow corridor. It smelled of the fragrant pine from which it had been constructed. Behind one of these walls, two ‘ghosts’ were clanking chains as mechanically as men working on a shoe-factory assembly line, talking about where they were going to take their girls tonight and who was going to bring some ‘red-eye engine,’ whatever that was. I could no longer hear anyone behind us. Kyra led the way confidently, one of her little hands holding one of my big ones, pulling me along. When we came to a door painted with glowing flames and marked THIS WAY TO HADES, she pushed through it with no hesitation at all. Here red isinglass topped the passage like a tinted skylight, imparting a rosy glow I thought far too pleasant for Hades. We went on for what felt like a very long time, and I realized I could no longer hear the calliope, the hearty bong! of the Test Your Strength bell, or Sara and the Red-Tops. Nor was that exactly surprising. We must have walked a quarter of a mile. How could any county fair Ghost House be so big? We came to three doors then, one on the left, one on the right, and one set into the end of the corridor. On one a little red tricycle was painted. On the door facing it was my green IBM typewriter. The picture on the door at the end looked older, somehow faded and dowdy. It showed a child’s sled. That’s Scooter Larribee’s, I thought. That’s the one Devore stole. A rash of gooseflesh broke out on my arms and back. ‘Well,’ Kyra said brightly, ‘here are our toys.’ She lifted Strickland, presumably so he could see the red trike. ‘Yeah,’ I said. ‘I guess so.’ ‘Thank you for taking me away,’ she said. ‘Those were scary men but the spookyhouse was fun. Nighty-night. Stricken says nighty-night, too.’ It still came out sounding exotic tiu like the Vietnamese word for sublime happiness. Before I could say another word, she had pushed open the door with the trike on it and stepped through. It snapped shut behind her, and as it did I saw the ribbon from her hat. It was hanging out of the bib pocket of the overalls I was wearing. I looked at it a moment, then tried the knob of the door she had just gone through. It wouldn’t turn, and when I slapped my hand against the wood it was like slapping some hard and fabulously dense metal. I stepped back, then cocked my head in the direction from which we’d come. There was nothing. Total silence. This is the between-time, I thought. When people talk about ‘slipping through the cracks,’ this is what they really mean. This is the place where they really go. You better get going yourself, Jo told me. If you don’t want to find yourself trapped here, maybe forever, you better get going yourself. I tried the knob of the door with the typewriter painted on it. It turned easily. Behind it was another narrow corridor more wooden walls and the sweet smell of pine. I didn’t want to go in there, something about it made me think of a long coffin, but there was nothing else to do, nowhere else to go. I went, and the door slammed shut behind me. Christ, I thought. I’m in the dark, in a closed-in place . . . it’s time for one of Michael Noonan’ s world-famous panic attacks. But no bands clamped themselves over my chest, and although my heart-rate was high and my muscles were still jacked on adrenaline, I was under control. Also, I realized, it wasn’t entirely dark. I could only see a little, but enough to make out the walls and the plank floor. I wrapped the dark blue ribbon from Ki’s hat around my wrist, tucking one end underneath so it wouldn’t come loose. Then I began to move forward. I went on for a long time, the corridor turning this way and that, seemingly at random. I felt like a microbe slipping through an intestine. At last I came to a pair of wooden arched doorways. I stood before them, wondering which was the correct choice, and realized I could hear Bunter’s bell faintly through the one to my left. I went that way and as I walked, the bell grew steadily louder. At some point the sound of the bell was joined by the mutter of thunder. The autumn cool had left the air and it was hot again stifling. I looked down and saw that the biballs and clodhopper shoes were gone. I was wearing thermal underwear and itchy socks. Twice more I came to choices, and each time I picked the opening through which I could hear Bunter’s bell. As I stood before the second pair of doorways, I heard a voice somewhere in the dark say quite clearly: ‘No, the President’s wife wasn’t hit. That’s his blood on her stockings.’ I walked on, then stopped when I realized my feet and ankles no longer itched, that my thighs were no longer sweating into the longjohns. I was wearing the Jockey shorts I usually slept in. I looked up and saw I was in my own living room, threading my way carefully around the furniture as you do in the dark, trying like hell not to stub your stupid toe. I could see a little better; faint milky light was coming in through the windows. I reached the counter which separates the living room from the kitchen and looked over it at the waggy-cat clock. It was five past five. I went to the sink and turned on the water. When I reached for a glass I saw I was still wearing the ribbon from Ki’s straw hat on my wrist. I unwound it and put it on the counter between the coffee-maker and the kitchen TV. Then I drew myself some cold water, drank it down, and made my way cautiously along the north-wing corridor by the pallid yellow glow of the bathroom nightlight. I peed (you-rinated, I could hear Ki saying), then went into the bedroom. The sheets were rumpled, but the bed didn’t have the orgiastic look of the morning after my dream of Sara, Mattie, and Jo. Why would it? I’d gotten out of it and had myself a little sleepwalk. An extraordinarily vivid dream of the Fryeburg Fair. Except that was bullshit, and not just because I had the blue silk ribbon from Ki’s hat. None of it had the quality of dreams on waking, where what seemed plausible becomes immediately ridiculous and all the colors both those bright and those ominous fade at once. I raised my hands to my face, cupped them over my nose, and breathed deeply. Pine. When I looked, I even saw a little smear of sap on one pinky finger. I sat on the bed, thought about dictating what I’d just experienced into the Memo-Scriber, then flopped back on the pillows instead. I was too tired. Thunder rumbled. I closed my eyes, began to drift away, and then a scream ripped through the house. It was as sharp as the neck of a broken bottle. I sat up with a yell, clutching at my chest. It was Jo. I had never heard her scream like that in our life together, but I knew who it was, just the same. ‘Stop hurting her!’ I shouted into the darkness. ‘Whoever you are, stop hurting her!’ She screamed again, as if something with a knife, clamp, or hot poker took a malicious delight in disobeying me. It seemed to come from a distance this time, and her third scream, while just as agonized as the first two, was farther away still. They were diminishing as the little boy’s sobbing had diminished. A fourth scream floated out of the dark, then Sara was silent. Breathless, the house breathed around me. Alive in the heat, aware in the faint sound of dawn thunder. How to cite Bag of Bones CHAPTER TWENTY-ONE, Essay examples

Business Research Methods in Organization - MyAssignmenthelp.com

Question: Discuss about the Business Research Methods in Organization. Answer: Introduction: The human resources of an organization are more important than the financial resources, as their productivity and engagement levels determine sustainability of the organizational success. However, since most of the companies operate in a highly competitive market, professional burnout, stress, and inability to strike balance between professional and personal life affect employee performance in a negative way. Hence, by undertaking this research project, I wish to develop my knowledge as well as add to the academic literature regarding how organizations can adopt effective work life policies that can enhance employee engagement, and reduce employee absenteeism and high employee turnover rates. Through the research, I wish to learn and critically analyse the relation existing between work life balance and employee engagement. I wish to understand whether flexible working schedule, leave policies and alternative work arrangements are capable of increasing employee engagement rather than mere financial incentives such as pay raise and bonuses. By undertaking this research successfully, I wish to test my research skill, analytical skill as well as reflective skill. In order to complete the research, I wish to undertake a survey to be conducted on the employees of an organization, and investigate if work life initiatives really motivate them or not. Besides, this will also help me test my communication skills as I would require to interact with many respondents. Next, the ability of analysing and interpreting the data and deriving the conclusion, will help me evaluate my analytical and reflection skills. I am looking forward to be able to successfully complete the research and deduce exactly which are the most effective work-life initiatives that an employee expects out of his organization. This will definitely help in increasing the level of employee engagement at workplace. As such I am not anxious about anything. However, I think I need to be more aware of the ethical considerations which I should take into serious account, while collecting the data through the survey conduction. Reference List: Blumberg, B.F., Cooper, D.R. and Schindler, P.S., 2014.Business research methods. McGraw-hill education. Bryman, A. and Bell, E., 2015.Business research methods. Oxford University Press, USA.

Compare the Ways in which Old Age is Portrayed within Old Man, Old Man and Warning Essay Example For Students

Compare the Ways in which Old Age is Portrayed within Old Man, Old Man and Warning Essay Old Man, Old Man is a poem about a daughter who is narrating about her father. The poem compares the past life of her father, to what it is like at present. This involves changes in physical and mental strengths. This poem was written by U. A. Fanthorpe, and possibly written from real life experiences. Warning is about a middle-aged mother who looks to the future at what she wants to be like when older. She wants to be different and rebel against the views people have of a typical old lady. This may be because she was quiet and respectable earlier on in life, and she wants to make up for it. These poems are different in a lot of ideas about old age, which means that these points can be compared and looked at. Physical Factors are a big part of how old age is portrayed in both of the poems. It is one of the things that are picked up by the poet that will or has already changed. In Old Man, Old Man most of the statements referring to old age are greatly exaggerated for the reason that the reader can imagine how much the man has changed, and therefore a much greater view of his changed image can be seen and noticed. There are some clear signs that this man may have very poor eyesight. A condition common in people of his age. Now his hands shamble among clues He left for himself when he saw better And Living in almost dark, I can see you Changing physically had more affect on him that it would on anyone else. He used to be a doer, A man who did it himself. He used to be in control and organised, but through old age he has lost is dignity. Lifelong adjuster of environments, Lord once of the shed, garage and the garden, Each with its proper complement of tackle, The use of lord shows the exaggeration of the daughter narrative when describing her father. During the change from young to old, there have been changes in his domestic life. A man who once spent most of his time in the shed and being self involved with DIY now left with little option but to transfer to do the housework. The use of being self demoted shows that the man is leaving behind what used to be in his interest. A man who did it himself, really sums up the old man in his young days, and now it is completely the opposite. Mentioned earlier Joseph is trying to make up for her lost youth. Her life has been carried out on how others expected, and not how she wanted it. This is different to Old Man, Old Man as here she is trying to improve and blossom in her old age, instead of the old man who slowly deteriated during the years. This will be the chance for Joseph to do what she really wanted to do. When at old she shall use it as a chance for her and her husband to be free, to do the opposite to what is expected and to be shocking to others around. This includes in a number of areas; dress, the spending of money and generally behaviour to those close and in public. She is really trying to break free from the usual stereotype that is given to the elderly. When I am an old woman I shall wear purple With a red hat, which doesnt go, and doesnt suit me There is hardly anything that has changed in the physical aspects of being old in Warning, but there is plenty of change mentally. She wants to be stupid now and not be responsible, as before, she was sensible and she did act like an adult. I shall sit on the pavement when I am tired And gobble up samples in shops and press alarm bells And run my stick along the public railings Colloquial language is used to show how improper she will be, as well as being unorganised, once again a complete change to what she is at present. And hoard pens and pencils and beer mats and things into boxes Maybe she is doing this is because she acted the way others expected her to earlier on, and she does not also want to act responsible later on in life, this brings back to the stereotypical view of an old lady. Many people go through this change, but the over way round, outrageous to sensible, a bit like in Old man, Old Man, this is why she knows people will see her as strange. But now we must have clothes to keep us dry And set a good example for the children Fanthorpe does look at the mental changes that the old man has gone through, one being mental capacity. .u2ad83f68137d82c502fdaf7e82ccb55b , .u2ad83f68137d82c502fdaf7e82ccb55b .postImageUrl , .u2ad83f68137d82c502fdaf7e82ccb55b .centered-text-area { min-height: 80px; position: relative; } .u2ad83f68137d82c502fdaf7e82ccb55b , .u2ad83f68137d82c502fdaf7e82ccb55b:hover , .u2ad83f68137d82c502fdaf7e82ccb55b:visited , .u2ad83f68137d82c502fdaf7e82ccb55b:active { border:0!important; } .u2ad83f68137d82c502fdaf7e82ccb55b .clearfix:after { content: ""; display: table; clear: both; } .u2ad83f68137d82c502fdaf7e82ccb55b { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u2ad83f68137d82c502fdaf7e82ccb55b:active , .u2ad83f68137d82c502fdaf7e82ccb55b:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u2ad83f68137d82c502fdaf7e82ccb55b .centered-text-area { width: 100%; position: relative ; } .u2ad83f68137d82c502fdaf7e82ccb55b .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u2ad83f68137d82c502fdaf7e82ccb55b .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u2ad83f68137d82c502fdaf7e82ccb55b .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u2ad83f68137d82c502fdaf7e82ccb55b:hover .ctaButton { background-color: #34495E!important; } .u2ad83f68137d82c502fdaf7e82ccb55b .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u2ad83f68137d82c502fdaf7e82ccb55b .u2ad83f68137d82c502fdaf7e82ccb55b-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u2ad83f68137d82c502fdaf7e82ccb55b:after { content: ""; display: block; clear: both; } READ: Comparing Casablanca To 1984 EssayOne of the main things looked at in the poem is how the man could not be there for his daughter early on, but how his daughter is now being a parent figure to him. And where is Drury Lane? Let me walk with you to Drury Lane. I am only a cloud This shows a loss of memory in a serious way. Joseph shows this through really saying the old do forget, but that is what is expected. Throughout the poem there are signs of what her father used to be, and how he has changed. Maybe through change in personality, or to this is linked with the effects of becoming old. The jokes you no longer tell, as you forget If youve smoked your timetabled cigarette Now television has no power to arouse Your surliness Through the years not everything has changed in the old man. It is obvious that the man is still frustrated. He is also very self reliant, although he does need his daughter more often, an example being Drury Lane. This is the opposite in Warning, here she cant want to change, she wants to. She used the words I shall over and over again to show how determined she is of changing so. And repetition shows how excited she is to become old. In conclusion, by comparing these two poems it meant comparing two very different views and ideas of how old aged is portrayed. In Old Man, Old Man old age is like the beginning of the end of life as in Warning Joseph puts the idea that old age is a new beginning for her, and therefore the poem is more optimistic to the reader. There are few comparisons that can be made between the two poems, but there are some in that at old age there is a change of some kind.